Trois Églises by J.-K. Huysmans
J.-K. Huysmans, best known for his decadent novel 'À rebours' (Against Nature), takes a sharp turn here. 'Trois Églises' is his deeply personal tour of three Paris churches: Saint-Séverin, Saint-Étienne-du-Mont, and Saint-Sulpice. Forget a dry guidebook. Huysmans walks you through the shadowy aisles, pointing out everything a casual visitor might miss. He's fascinated by the worn stone, the fading frescoes, the 'sad beauty' of things decaying. The 'plot' is simply his shifting mood in each space—from medieval gloom in Saint-Séverin to a kind of troubled awe in the grand, cold Saint-Sulpice.
Why You Should Read It
This book is a masterclass in observation. Huysmans makes you see. He finds drama in dust motes and poetry in peeling paint. It's less about religion and more about a sensitive, grumpy man wrestling with his own disgust for the 19th century, seeking solace in these ancient, silent witnesses. Reading it feels like having a brilliant, slightly melancholic friend whisper fascinating, critical commentary in your ear during a museum visit. You'll never look at an old building the same way again.
Final Verdict
Perfect for readers who love atmospheric writing, Paris, or unusual non-fiction. If you enjoy wandering through old places and wondering about their stories, Huysmans is your ideal, idiosyncratic guide. It’s not for someone seeking a fast-paced narrative, but for anyone who wants a short, potent dose of sublime description and a peek into a fascinating writer's restless mind.
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Dorothy Robinson
3 months agoA bit long but worth it.
Susan Walker
1 year agoI have to admit, the arguments are well-supported by credible references. A valuable addition to my collection.
Mary Thompson
1 year agoIf you enjoy this genre, the content flows smoothly from one chapter to the next. Worth every second.
Michael Johnson
1 year agoAfter finishing this book, the author's voice is distinct and makes complex topics easy to digest. A true masterpiece.
Carol Wright
1 year agoMy professor recommended this, and I see why.